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		    <titleInfo>
				<title>Comparison of diversity words "practical research on the poems of Mahmoud Sami Albaroody, and Hafez Ibrahim Ahmad Shoghi"</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Ahmad</namePart>
				<namePart type="given">Omidvar</namePart>
				<affiliation>Asistant Professor of Olum va ma&amp;#039;aref university</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2014</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">ara</languageTerm>
			</language>
			<abstract>Literary Criticism in the nineteenth and twenty century  by  interdisciplinary approaches has been diverse trends. In the meantime stylistics has been introduced itself as an independent knowledge and by taking advantage of other knowledge attempts to get close to authenticity. Knowledge of statistics interested literary criticism and stylistics in authenticity . One of the  objects  that the statistics has helped to literary critics in identify style of poets and composer is identify  of vocabulary that the poet or composer uses in text . to understand the vocabulary size there are several methods but the method used in this study is Johnson&#039;s method. In this study  we select  examples of the three poems of contemporary  Egyptian  poets ( Mahmoud Sami Baroody &quot; Ahmad Shoghi &quot;Hafez Ibrahim) and we compared between them bydiversity words. Wedrawnumber of tablesand curves.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Quarterly of Arabic Language and Literature</title>
			</titleInfo>
			<originInfo>
				<publisher>University of Tehran</publisher>
			</originInfo>
			<identifier type="issn">1735-9767</identifier>
			<part>
				<detail type="volume">
					<number>10</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>1</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2014</text>
				<extent unit="pages">
					<start>1</start>
					<end>20</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">https://jal-lq.ut.ac.ir/article_51972_f6643ac8dfd5a9a61906f2f65013b755.pdf</identifier>
			<identifier type="doi">dx.doi.org/10.22059/jal-lq.2014.51972</identifier>
			</mods>
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		    <titleInfo>
				<title>Investigation and criticism of Al Sarfah issue</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Rezvan</namePart>
				<namePart type="given">Baghbani</namePart>
				<affiliation>طالبة الدکتوراه قسم اللغة العربیة وآدابها، جامعة «تربیت مدرس»</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Khalil</namePart>
				<namePart type="given">Parvini</namePart>
				<affiliation>أستاذ مشارک قسم اللغة العربیة وآدابها، جامعة «تربیت مدرس»</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Mohammad Ebrahim</namePart>
				<namePart type="given">Khalifeh Shushtari</namePart>
				<affiliation>أستاذ مشارک قسم اللغة العربیة وآدابها، جامعة «شهید بهشتی»</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Isa</namePart>
				<namePart type="given">Mottaghizadeh</namePart>
				<affiliation>أستاذ مساعد قسم اللغة العربیة وآدابها، جامعة «تربیت مدرس»</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2014</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">ara</languageTerm>
			</language>
			<abstract>Since Koran descends from heaven, the Muslims paid attention to research about Koran’s miracle. They believed that Koran in Rhetoric and eloquence aspects is in the highest degree. But in The third century AH, a new theory about Koran’s miracle produced and became famous to Al Sarfah issue. The first person that this theory attributes to him was Ibrahim ben Sayyar Al Nazzam. Followers of this theory believed that Arab’s inability in creating a book similar to Koran is due to that God prevented them from disagreement with Koran and not related to its specific properties such as miracle, rhetoric and eloquence. Many of the Muslims differed in opinion with this theory and tried to reject it. We study and criticize mentioned above theory in this research.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Quarterly of Arabic Language and Literature</title>
			</titleInfo>
			<originInfo>
				<publisher>University of Tehran</publisher>
			</originInfo>
			<identifier type="issn">1735-9767</identifier>
			<part>
				<detail type="volume">
					<number>10</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>1</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2014</text>
				<extent unit="pages">
					<start>21</start>
					<end>40</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">https://jal-lq.ut.ac.ir/article_51973_fa4aa3e732df2c890d9eae8c9ba0f8c2.pdf</identifier>
			<identifier type="doi">dx.doi.org/10.22059/jal-lq.2014.51973</identifier>
			</mods>
		<mods version="3.5">
		    <titleInfo>
				<title>Women between Foruogh Farokhzad And Ghadat Al-Samnan</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Ali</namePart>
				<namePart type="given">Piranishal</namePart>
				<affiliation>Associate Professor of, kharazmi University</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2014</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">ara</languageTerm>
			</language>
			<abstract>In some east society women’s right was disregarded so they followed whatever was persuaded for them. Until women paid attention to liberal actions in literature and in this way say protest up to reach their desire and ideal. Thus, scholar Iranian Poet ,Foruogh Farokhzad, was the first woman in Iran who composed womanish poet like her sameness ,Ghadat Al-Samman who has been known in this type odd poem in Syria. Both of them are famous in womanish sight and rising against patriarchal society to defend women rights, By explicit interpretation and romantic motion in their poem.Their poems are true reflect of their social life. They express thought of society to women as slaves whit out any construction character. This both poet have critical opinion to simple life and superstition tougth of women. Indeed they wrote about facts and main events in society.In this paper we want to fount their real opinion by consider the facts that they use in their poems.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Quarterly of Arabic Language and Literature</title>
			</titleInfo>
			<originInfo>
				<publisher>University of Tehran</publisher>
			</originInfo>
			<identifier type="issn">1735-9767</identifier>
			<part>
				<detail type="volume">
					<number>10</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>1</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2014</text>
				<extent unit="pages">
					<start>41</start>
					<end>60</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">https://jal-lq.ut.ac.ir/article_51974_830e0f3831ada2f5e3d5f01174132136.pdf</identifier>
			<identifier type="doi">dx.doi.org/10.22059/jal-lq.2014.51974</identifier>
			</mods>
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		    <titleInfo>
				<title>Jesus character and Christianity symbols in the poem of Yosof al khal</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Kobra</namePart>
				<namePart type="given">Roshanfekr</namePart>
				<affiliation>أستاذة مساعدة فی اللغة العربیة وآدابها بجامعة تربیت مدرس</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Majid</namePart>
				<namePart type="given">Mohammadi Bayazidi</namePart>
				<affiliation>طالب الدکتوراة فی اللغة العربیة وآدابها بجامعة تربیت مدرس</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2014</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">ara</languageTerm>
			</language>
			<abstract>The Arabic contemporary poem has faced a period in which, the poets tended to employ the prophets characters to utter poetic experiences, and social, cultural, and political conditions of their own era.The character of Jesus Christ(peace be upon him),is one of the most prominent character used among the contemporary pioneer poets who found it the most appropriate character to express pain, grief, loneliness, and the stagnation of their own society. little by little the Jesus character got its right place among Moslem and Christ poets in comparison with other prophets .Yosof Alkhal the most prominent Christ poet who commenced using Christ point of view in Arabic literature, and his poems have the colour of Christianity.This paper aims to study the Jesus Christ character and Christ symbols in this Lebanese poet by using descriptive-analytical method. the results show that understanding the poems of this poet is impossible, unless being aware of such symbols, because of the excessive number of such symbols in his poems. he has used such symbols to express the duality of death and the Resurrection Day. he has opened the window of hope and freedom through the killing death and devoting and sacrificing. and his long poems seem to be optimistic in contrary to its pessimistic commence.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Quarterly of Arabic Language and Literature</title>
			</titleInfo>
			<originInfo>
				<publisher>University of Tehran</publisher>
			</originInfo>
			<identifier type="issn">1735-9767</identifier>
			<part>
				<detail type="volume">
					<number>10</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>1</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2014</text>
				<extent unit="pages">
					<start>61</start>
					<end>90</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">https://jal-lq.ut.ac.ir/article_51975_ff11a886831c7bf16366b3c1252ababf.pdf</identifier>
			<identifier type="doi">dx.doi.org/10.22059/jal-lq.2014.51975</identifier>
			</mods>
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		    <titleInfo>
				<title>Literary stance of Baha El Din Zehir</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Ali</namePart>
				<namePart type="given">Sayadani</namePart>
				<affiliation>أستاذ مساعد فی فرع اللغة العربیة و آدابها، کلیة الآداب، جامعة الشهید مدنی بأذربیجان</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Hamid</namePart>
				<namePart type="given">Valizadeh</namePart>
				<affiliation>أستاذ مساعد فی فرع اللغة العربیة و آدابها، کلیة الآداب، جامعة الشهید مدنی بأذربیجان</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Saeid</namePart>
				<namePart type="given">Hadipour</namePart>
				<affiliation>مدرس مساعد بجامعة بیام نور</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2014</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">ara</languageTerm>
			</language>
			<abstract>Baha El Din Zehir was one of the great men of his age and was famous in poem, prose, judging and chivalry. He was born in 5th of Zill hajj in 581, in a genuine family in Wadi Al Nakhlah, Mecca. His parentage goes back to Mohallab Ibn Abi Safre, the great man of Iraq. Baha’s poetry depicts properly all the religious, literary and linguistic aspects of his era as well as reflecting tendencies. Baha was very interested in expression and the poet himself has mentioned about that. His poems include subjects such as: praise, Ghazal, pride, satire, description, Requiem, wine and wisdom. Baha El Din’s poetry reveals the religious habits of the era, such as: donating to the leaders of religion, gammon, soothsaying, Astrology, betraying of subordinates and seniors’ neglect, and people’s many affairs. Baha has been influenced by past poets. He is follower of Ibn Roomi in satire. His praises are like Ka’ab Ibn Zehir’s and in wine praising (خمریه سرایی) he has taken A’shi’s and Abu Navas’ stage. As Baha El Din has been the follower of his former poets, other poets have followed his doctrine. The best known of them is Emad Al Din Tayib and Hassan Badri, poet of Ottoman era, has been influenced by him.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Quarterly of Arabic Language and Literature</title>
			</titleInfo>
			<originInfo>
				<publisher>University of Tehran</publisher>
			</originInfo>
			<identifier type="issn">1735-9767</identifier>
			<part>
				<detail type="volume">
					<number>10</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>1</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2014</text>
				<extent unit="pages">
					<start>91</start>
					<end>120</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">https://jal-lq.ut.ac.ir/article_51976_9763b7f0ef190441a5f13d128831d851.pdf</identifier>
			<identifier type="doi">dx.doi.org/10.22059/jal-lq.2014.51976</identifier>
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		    <titleInfo>
				<title>.Correspondance Of formation to imagination in Sohrab Sepehri and Abdulwahab Al Bayati poetry</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Ali</namePart>
				<namePart type="given">Salimi</namePart>
				<affiliation>أستاذ مشارک فی قسم اللغة العربیة وآدابها بجامعة رازی کرمانشاه</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Reza</namePart>
				<namePart type="given">Kiani</namePart>
				<affiliation>طالب الدکتوراة فی فرع الأدب العربی بجامعة رازی کرمانشاه</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2014</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">ara</languageTerm>
			</language>
			<abstract>his article deals with the study and analysis of the phenomenon &quot;Correspondance&quot; as one of the mechanisms of &quot;Semantic Deviation&quot; which reliable Iranian poet «Sohrab Sepehri« and Iraqi poet «Abdulwahab Al Bayati« In the poetic imagination.The research began first with definition of Deviation and acceptable limits in the poetry Platform to discuss and importance of imagination In the aesthetic composition of the images transferred out by the five senses its borders familiar to the exotic border. then application of visual images and audio samples of poetry of «Sohrab Sepehri« and «Abdulwahab Al Bayati« f nished and the results show that the five senses to the poets Leave its usual functions to odd jobs intersect logically familiar with its mission to bring poets what he wants purposes fails to deliver regular structures.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Quarterly of Arabic Language and Literature</title>
			</titleInfo>
			<originInfo>
				<publisher>University of Tehran</publisher>
			</originInfo>
			<identifier type="issn">1735-9767</identifier>
			<part>
				<detail type="volume">
					<number>10</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>1</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2014</text>
				<extent unit="pages">
					<start>121</start>
					<end>144</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">https://jal-lq.ut.ac.ir/article_51977_0f0260458056c3b0c17c6ffc88e33441.pdf</identifier>
			<identifier type="doi">dx.doi.org/10.22059/jal-lq.2014.51977</identifier>
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		    <titleInfo>
				<title>The reflection of time dissociation in the story of “ Mojarrad 2 Faghat”</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Ahmad reza</namePart>
				<namePart type="given">Saedi</namePart>
				<affiliation>الاستاذ مساعد فی فرع اللغه العربیه و آدابها بجامعه الاصفهان</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Alieh</namePart>
				<namePart type="given">Jafarizadeh</namePart>
				<affiliation>طالبه ماجستیر فی اللغه العربی و آدابها بجامعه الاصفهان</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2014</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">ara</languageTerm>
			</language>
			<abstract>Abstract   The story of “Mojarrad 2 Faghat&quot; is somehow more beyond than just a simple story in some ways and some techniques, whereas it. Is full of the rapture of time and place and the likes. And it states the pain of palastinians in an effective and expressive manner. In the story, the time borders has not determined the severity of these disasters. However, we can view this story from two points of view. These two are fluctuation and cessation. As for, the time fluctuates between the dark past and the darker present. As time is altering in dream and in awake, so we are not able to persue it rationally. Ther fore Ebrahim Nasrowllah has changed the time from one to another, in order to provide more interpretive backgrounds for the reader. He has selected the kind of technique for this, analepses baaid ( returning to childhood), and analepse ( the events that happen for the narrative by the police officers…), and Prolepses. This investigation has been done by the research gerare gineit, to view this matter, Because Dissociation is the main focus for discovering the fondatios of the time Dissociation and clarifying its properties. Keywords: Mojarrad 2 Faghat, Ebrahim Nasrowllah, Time, Prolepses, Analepses.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Quarterly of Arabic Language and Literature</title>
			</titleInfo>
			<originInfo>
				<publisher>University of Tehran</publisher>
			</originInfo>
			<identifier type="issn">1735-9767</identifier>
			<part>
				<detail type="volume">
					<number>10</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>1</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2014</text>
				<extent unit="pages">
					<start>145</start>
					<end>168</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">https://jal-lq.ut.ac.ir/article_51978_39bdbf99a4c590a4e374eb10d8ddf5f7.pdf</identifier>
			<identifier type="doi">dx.doi.org/10.22059/jal-lq.2014.51978</identifier>
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		<mods version="3.5">
		    <titleInfo>
				<title>التنبیهات والسَّبع العلویِّات</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Mohammad Hasan</namePart>
				<namePart type="given">Foadian</namePart>
				<affiliation>الاستاذ المشارک  بجامعة طهران</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Alireza</namePart>
				<namePart type="given">Enayati</namePart>
				<affiliation>طالب دکتوراه قسم اللغة العربیة بجامعة طهران</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2014</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">ara</languageTerm>
			</language>
			<abstract>The Seven Al - alawiyat poems regulatory Ibn Abi AlHadid ,deceased 655 AH. What of the finest sang in praise of Amir al-Imam Ali bin Abi Talib, peace be upon him mentioning the qualities and the martyr Imam Hussein peace be upon him mentioning the disaster and calamity, and so to slander whom oppose and resist them . Due to the status of this giant trace, it was writers, past and present, stood up and explaining, some of the other go to pentagon poems and others to translate the poems into another language. Through our study in these annotations and poems we saw some, in the reach of the hands, and others hidden in the corridors of time. Among these effects on the Seven Al-alawiyat, there is one available and reachable, later was called by the others &quot;Al-tanbihat&quot; still there is different views and ideas in its writerifferent. We are in our article aim to highlight to what took care of he Seven Al-alawiyat by writers first and get carried away as much as possible to the commentary called &quot; Al-tanbihat on the meanings of the Seven Al-alawiyat &quot; in descriptive - analytical approach second, and then try to get to know the explaining and take a look at his life and attributed the result to come out and remove the illusion thumb .</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Quarterly of Arabic Language and Literature</title>
			</titleInfo>
			<originInfo>
				<publisher>University of Tehran</publisher>
			</originInfo>
			<identifier type="issn">1735-9767</identifier>
			<part>
				<detail type="volume">
					<number>10</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>1</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2014</text>
				<extent unit="pages">
					<start>169</start>
					<end>190</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">https://jal-lq.ut.ac.ir/article_51979_10b320647e2d47dd871daa5991c5903a.pdf</identifier>
			<identifier type="doi">dx.doi.org/10.22059/jal-lq.2014.51979</identifier>
			</mods>
		</modsCollection>