@article { author = {Masumi, Mohammad Hasan}, title = {The Methods of Dialog in Quran}, journal = {Quarterly of Arabic Language and Literature}, volume = {9}, number = {2}, pages = {133-143}, year = {2013}, publisher = {University of Tehran}, issn = {1735-9767}, eissn = {2423-6187}, doi = {10.22059/jal-lq.2013.35824}, abstract = {The skill of dialog has the most application between the countless speech methods of Quran. The Quranic dialog has its own style and context, during which the audience becomes aware of the past nations’ intellectual position, and also finds out their ideological approaches. Moreover the dialog is being accomplished for the purpose of convincing the audience, thus it is serving various possibilities based on conditions. This is the same part that this article is going to consider its artistic aspects.  In order to these two groups of Quran verses have been considered: The first group relates to the Al Fir'aon’s devout’s position against the heads of his people's he attempts to convince them in their corrupt ideological approach and their wrong attitude toward reality. He is performing this important issue with staunch speech mechanism. The second section is the dialogs which have been accomplished in the emotional and historical logical forms and depicts their pitiable condition in the hell. This depiction also is being done by means of an informative and compositional style which follows secondary subjective.}, keywords = {}, title_ar = {أسلوب الحوار الإقناعی فی القرآن}, abstract_ar = {لفن الحوار النصیب الأوفر من بین أسالیب القرآن الکلامیة التی لا تکاد تنتهی إلى حد. ویُعد الحوار القرآنی طریقة خاصة، یَطَّلع من خلالها المتلقی على مختلف المواقف الفکریة للأمم الماضیة، کما یَطَّلع على مجمل التوجهات العقدیة لتکلم الأمم؛ فضلاً عن ذلک فإنّ الحوار فی القرآن یُوظَّف أیضا لأغراض إقناعیة تتم بوسائط وإمکانات متنوعة، حسب ما تتطلبه الظروف والأجواء، وهذه الوظیفة الأخیرة هی ما نرید استجلاء جوانبها الفنیة البدیعة، وذلک ضمن مجموعتین متعالقتین من الآیات، حیث تتناول المجموعة الأولى موقف "مؤمن آل فرعون" من سراة قومه، محاولاً إقناعهم بفساد توجههم العقدیة وهشاشة نظرتهم نحو الواقع وذلک من خلال أسلوب قولی متماسک یتمثل فی مناهج منطقیة وعاطفیة وتاریخیة؛ کما تصوّر المجموعة الثانیة من الحوارات، الحالة المزریة المقیتة التی یعیشونها فی نار جهنم، ویتم هذا التصویر بلغة إنشائیة وخبریة تجنح إلى معان عدولیة (ثانویة).}, keywords_ar = {}, url = {https://jal-lq.ut.ac.ir/article_35824.html}, eprint = {https://jal-lq.ut.ac.ir/article_35824_035a74d13ed79986c80a019b776ab965.pdf} }