The Polarity of place in contemporary Arabic poetry recognized through the frequency of acceptance of semantic contradictions and dualism in place. Meanwhile, in the understanding of the many concepts in the text, the Polarity of the city has a prominent function and it is a great help to the reader in accepting the depth of the poet's thoughts, images, and individual and social moods. The city in the poetry of Mohammad Afifi Matar, citing the depth of overall image that can be obtained from his poetic examples, has a lot of dual semantic structure. Because the poet on the one hand paints a complex and profound picture of city and on the other hand it is trying to expand its elements and belongings to create a different perception of its concepts in the mind of the reader. This research, using a descriptive-analytical approach, seeks to examine the Polarity of city functions in Mohammad Afifi Matar's poetry. Briefly, the result is telling that the poet to have a defamiliarization look with the city, goes beyond the standard language, insists on repeating it, and characterized by the interaction between different semantic contrasts that have spatial paradoxical aesthetic effects. On the one hand, he uses the inherent Polarity and objective reality, stability and weakness, hunger and well-being, and also time and place to define the narrative characteristic of what happened in the city; he extends the scope of its semantic functions on the other hand.

The study considers that narrator is the most accurate saying of the narrative process, considering it as a mediator between narrated and narrate, and a major guide to the ideology of the text because he has a dominant vision in the narrative formulation, and thus the study began to search for it in the light of the structural approach, taking advantage of the theories of structuralisms in the field of narrator types and narrative visions , So that researchers can reach the world of novelist Saad Mohamed Rahim, which is three novels Saad Mohammed Rahim (Hymn woman. Twilight of the sea, killing of bookseller, and space for madness) and exploring the two techniques in the folds of narration, which made the research revolves around two axes: theoretical and applied. The study revealed that The novelist took advantage of the contemporary narrative style and is limited to three ways: a narrator who knows more than personality, and narrator is equal in science with personality and narrator who knows less than personality. The author also presented his novels with pronouns. The visions are mainly based on the problem of war: with America in the twilight of the sea, with the economic blockade of the West in the killing of bookseller, and with the International Alliance in a space of madness. The foci are not only floating, but rather like icebergs. Have hidden origins and can be linked to the problem of civilizational conflict with the West for self-discovery or national identity.

Saadallah Venous, as a theater creator, lived through the defeat, and became an intellectual and cultural concern, as he is aware of his goals and aspirations, so his theater is the theater of commitment, commitment to the homeland and its concerns, and he examines in his plays the issues of society and the people, including the repressive relationship between the theater and the people, and among these theatrical performances. O king of time) in which the issue of unity and collective consciousness is studied symbolically so that it is not confined to an era or state. This study aims to reveal the manifestations of the symbol and the nature of these symbols, the reason for their employment, and the extent of their integration in the play (The Elephant King of Time) through the social approach. Saadallah and Nous believes that a society that does not demand its rights from rulers and is complicit in the face of its power and injustice in all matters, this complicity becomes an introduction and a license to oppression of rulers more and more, and the ruler and the responsible forgets his duties towards the people and is not born of the negligent people, the revolutionary and the transcendent who aims at the people.

Defamiliarization in its simplest sense means opposition to the norm and the most beautiful benefit of this is the creation of strangeness that distinguishes between literary language and ordinary discourse language. There are several types of the de-familiarization but the present article has tried to analyze the phonological De-familiarization in the poems of Ez Al-Din Al-Manāsara, especially in the Divan of Anab Al-Khalil, published in 1968. The purpose of writing this article is to study the aesthetics of the prominent phonetic variables in the two outer (Arudi) and inner (phonetic and intellectual) layers. The method of writing in this article is descriptive-analytical in which the poem of al- Manāsara has been placed as a basic subject for research, and the characteristics of the familiarization of the sound that had a high frequency in her poems have been determined and explained. the results of the research are concerned that the poet in external music has used the techniques such as implication, Tadvir, integration of the foots and integration of free verse and classic verse that the aesthetics of the use of these defamiliarizated techniques, in addition to attracting the attention of the audience, is the creation of objective unity

The subject of comparative linguistics corresponds to different languages and reveals similarities and differences between them. The division of languages in Indo-European or Semitic languages is the result of revealing the existence of similarities between languages in many fields. it is not forgotten that these Languages are the primary source of the comparative linguistic lesson in the Arabic language is based. this comparison leads to the conclusion of language judgments that we would not have reached if our study was limited to only one of the languages. The study of words in the framework of languages, based on the comparative approach, assists in accurate and correct translation due to the sensitivity of the translation of Arabic texts. especially The Holy Quran. Since Semitic languages belong to a linguistic family, this article identifies opposite and common names in Arabic, Hebrew, Phoenician and translates them according to the context of the text and what the phrase or verse requires in translating. The research has shown that the Qur’anic vocabulary may have two-fold meanings that the context and the linguistic fabric help to reveal. Because whenever the passage of time changes the semantic meaning of a Qur’anic term, the researcher deserves him to refer to the origin of the stems of the language to clarify that connotation.

Seyed Mahmoud Mohammad Al-Musawi, nicknamed Mahmoud Manaf, is one of the contemporary poets immersed in the world of Arabic literature, who despite his genius in composing many poems in the scope of religion, belief, wisdom, Hosseini epic, political poems, lyrics, mysticism, praise of the Prophet and praise of Imam Mahdi (A.S) is still unknown in literary and critical circles, and his poems are still far from the studies that show the beauty of his poetic style. This article, with a descriptive and analytical method and with the aim of examining the cognitive style of one of its ideological poems under the title of " Azahat deyaro almaredyna tolola", is the topic of a debate between Imam Hassan (AS) and Mu'awiyah and his companions. The article examines three levels: intellectual level, literary level, and language level. At the intellectual level, the idea of poetry and what happened during the debate of Imam al-Hassan (AS) with Mu'awiyah and his companions is described. At the literary level, the common literary styles in this poem is examined, and at the linguistic level, the vowels, consonants, and letters used in the poem are examined, and finally the way words and phrases were used are analyzed. One of the findings of this study is the poet's sincere love. For this purpose, he uses different poetical meters, which is one of the best ways to highlight simple and uncomplicated emotions such as anger, joy and pride. Thus, it is concluded that the use of overt letters is more than covert letters, and this is commensurate with the general atmosphere of the poem, because it expresses the intensity of his anger at the Umayyad policy. Regarding the literary level, the poet has used most of his metaphors and similes about the wrong policies of the Umayyads in order to denounce their policies, and also the percentage of similes used in praising the Ahl Al-Bayt (members of the family of the prophet) is more than other similes. Most of the sentences in this poem are short and Jomley-e Fe'liyye, (verbal sentence).

The resurrection is one of the most important issues that have occupied man's mind and attracted his attention during the centuries. This wall has contributed greatly to the enlightenment of ideas and the construction of the idea of the Ba'ath in its rhetorical methods. The coherence of the text with its manifestations and techniques explicitly helps to highlight the eloquence and aesthetics of the texts in those fences. This research aims to study the techniques of grammatical cohesion and its significance in the selected Quranic Surah’s to reveal their effectiveness in communicating the message guaranteed by the Qur'an to the descriptive-analytical approach, using the structural linguistic orientation. Finally, the research concludes that the techniques of grammatical coherence from the combined correlation, commentary, assignment, repetition, parallelism, theoretical and semantic correspondence, conscientious and communicative play, textual attribution, referral and expressions have all helped to achieve the message that the Qur'an intended to convey to the people .Were it not for this cohesion, the text would be naked and the intent of those verses would be lost. The Qur'an has invested these techniques to create a huge structure so that the reader can swim in the vicinity of the Koranic text and hunt the inherent Durras.