The ordinary form of conditional sentence in Arabic includes just two parts: protasis clause and apodosis clause; However, it might be possible to extend the number of first part by joining two or more protases clause and putting them beside together, with or without conjunctions. The using of this new combination (i.e. two successive protasis clauses and one apodosis clause) has been known as one of the most important problems in the field of conditional sentences. Therefore, it has continuouslybeen brought into study from various aspects of Arabic grammar, principles of jurisprudence and commentary of the Quran. Thus, the experts have presented several theories of its grammatical and semantic structure. Considering the importance of such sentences, this article involves the study of semantic relationship between different types of clauses in conditional sentences in the Holy Quran, taking the grammarians and commentators' points of view into account and discussing their opinions in this case.

Abstract  This article examines the effect of Fatimid Religion on the poetry of Movayeddin Al-Shirazi and his personality dimensions and its influence in Arabic literature and thoughts in fourth hegira century. As we know, fourth hegira century has many literary characteristics in terms of verbal and spiritual scopes and Islamic and Arabic literature and thoughts in Islamic and Arabic countries have been influenced by Islamic-Arabic heritage. Now Islamic and Arabic literature carries works from many countries and for this reason, regional works are seen in the works of Islamic and Arabic literary researchers in recent era. In this article while expressing the reasons for flourishing of this era, we try to introduce the philosophical personality of Movayeddin Al-Shirazi and explain the manner of combination of his poetical literature with Fatimid beliefs interpretation and philosophy.

One of the noteworthy issues for researchers is attributing the text to its author. One amongst literary texts which its relation correctness is still under discussion, is poem related to Imam Ali (peace be upon him). Therefore this article studies the relation correctness of this poem based on actuarial statistics and using actuarial equation of Yuol, British famous scientist. Yuol equation is one of the new actuarial stylistics methods to determining the method of authors and correctly relation of text to them. This equation emphasizes on the number of special repetition of names in the texts which their relation is dubious and fishy. At first step, article pay attention to definition and explanation of theory then this theory has been matched to seven thousands words of Nahj-Al-Balaghah and poems of Imam Ali (peace be upon him), as paradigms of research. Present article has reached following results: 1-      Decisive and categorical relation of all the poems to Imam Ali (peace be upon him) is not correct because there is no complete accordance in special repetition between method of Nahj-Al-Balaghah and Imam's related poems.  2-      There is a probability that most of the {ابیاتrimes} are not by Imam (peace be upon him) because method of two texts are not close. 3-      Can not be said that poems are not by Imam (peace be upon him) because there is no much difference between the methods of both texts. 4-      Fore results show that claim of gatherer of Imam's poems, stating that all poems are by Imam (peace be upon him), is off cast. 5-      Resulting numbers from execution of Yuol equation emphasizes on the view of Muslim scientists, stating that most of the poems are not related to Imam Ali (peace be upon him).  

Imam sajjad’s time was witness the spread of the corruption and the deviation of religion principles, that appeared because of the tribal prejudices which Umayyad rule prompted, and the corruptions and the ideological deviations which commoned, and the revolutionary spirit which attenuated. Imam sajjad confronted this wave and practiced awakening Muslim ummah until they don’t fallow this wave. This action was through bring on a specific literature, it is literature supplication; due to the strong suffocation in this period. He did all his effort to educate people based on Islamic pure value. Therefore, he efforts to get a bounce to his creator, and intuit pride to him, and don’t humiliate before the tyrants. This article looks for the issue of “glory” in Imam sajad’s supplications in the style of a descriptive artistic, and survey the roots of the reduction of the Islamic values in Imam sajjad’s time, and surveys imams’ role, and particularly imam sajjad’s role in conscious of ummah, and restrain its diversion. Then it surveys items of some supplications relize feeling pride by Allah in people, and prevent them from bearing abjection by others; and this study comprises also elements of beauty of the supplications which garnish it, such as instrumental music, technical forms, and verbal elements.

Myth plays a major role in the contemporary Arabic Poem. Hence, many poets have shown a lot of interest in it and have frequently utilized it in their poems. They have used it instead of old metaphors and figures of speech. Currently, myth is considered as the essential part of the contemporary Arabic Poem. This article centers on Oedipus and its application in the poems of three Arab poets: Badr Shaker Assayab, Boland Alheydari, and Abdolvahhab Albayyati. Since Oedipus plays a vital role in their poems, they have used it exensively. This study shows that Oedipus has emotional and moral problems in the poem of poets. In Sayyab’s poem, however, Oedipus is suffering from social problems. According to Bolan Alheydari, Oedipus has got problems with his self, nature and existence. Bayyati’s poem reflects the political problem of Oedipus.

Repetition can refer to the recurrence of a verbal component, the concurrence of synonyms or semi-synonyms, repeated proper nouns, or any dominant term. Repetition is common in unpremeditated speech as it allows for thinking. This literary technique has been employed from classical times for certain advantages that it has; these include the cohesion that comes about as a result of repetition among the different sections of a writing, and the highlighting of the focal point of a piece by repeating certain keywords. The present study, drawing on Halliday and Hasan, investigates the role of repetition in textual cohesion and shows how it can be seen at work in “Sermon 192” from the Nahjul-Balagha Allah, a close reading of the Sermon reveals, occurs 40 times more than any other term does. There are different types of repetition at work in the text that cause textual cohesion: eight groups of proper nouns and eight groups of dominant terms. Repetition is perfectly manifested in the mentioned Sermon; the linking of old and new information by means of repetition makes the text readily accessible to the reader. In the category of proper nouns, those referring to man, time, and Truth are respectively first, second, and third in frequency. Man, fortuitous moments, time, and destination are what Imam Ali has pondered and discussed with his disciples.

To become imprisoned is an event that confronted the former poets with that and Abu firas Al-hamdani is one of them. He is well-Known by the poems composed in the prison and in most of them The name Saif Aldvlh was addressed to reprove him. This article studies ode Lom va etab and analyze the source of ideas and affections and express the poets personality traits, his mind of state and compliancy from the prison, meaning interconnection, goal and all of them become analyzed by the phsycology approach. from this ode is concluded that he was a romantic poet without flattery, but he was influenced by pains and dreams that show his psychic problems. The prison influenced on the poets psyche and his opinions clearly. so that he was throughout feeling of contradition meaning between weakness and power, between passimism and optimism but finally he overcome the his weakness and pessimism with patience and trust. This research expresses that the poet composed this ode to attract king and encourage him to pay ransom by different ways such as: the good ghazal of preface that agree with his goal, dialogue, to admonish and commemorate king, to his services in guarding from the kings state of frontiers, to creat distressing and painful scenes that describe brutality of times and friends.

This study sought to examine the verses have been written in the constitutional period in Iran and Iraq And is trying to express a role that have played in the expression of important issues the poets of the era including Z·havy and Lahooti an term. The element of freedom and patriotism, including the constitutional issues that are common in Arabic and Persian poetry And the reason it has attracted the attention of all Reasons such as: the tyranny of the rulers of the people, customs and traditions common to the wrong people, People suffering from oppression And the incidence of poverty and ignorance on them. This research analyzes the themes of freedom and patriotism in lyrics Zahavi and Lahuti. This paper presents a comparative rinses according to the American school is trying to show Similarities and differences in the lyrics the poets So far, the results indicate that The poet angry the lack of freedom that created a corrupt political elite On the other hand, The two poets are like homeland And consider it as a house that sense of relief  in the home.