University of Tehran Quarterly of Arabic Language and Literature 1735-9767 9 4 2014 01 01 Feminism in poetry discourse; A comparative study of Toghan and Forugh FArokhzad Feminism in poetry discourse; A comparative study of Toghan and Forugh FArokhzad 5 29 50525 10.22059/jal-lq.2014.50525 AR Mahmood Heidari Assistant professor in Yasuj university Journal Article 2013 12 16 This study aims at investigating female poetry discourse in two Iranian and Palestinian poets, more specifically, its relations between men, society, and social customs. The present study shows that these two poets were not influenced by the world in which they live but were honest and showed their self realities through adapting similes and metaphors from feminist approach. It also shows that they were pioneers of feminist poem movement. They used their artistic skill to support the women’s right. These poets’ challenges include violating customs and traditions, red lines, using symbolism, and expressing their pains and sorrows in this way. The traces of rejecting customs and relations are visible in their poems. Although they were not influenced by each other, we found some similarities between them through comparing their life conditions. Analytic and descriptive research design was used to compare, contrast, and analyze a variety of poems which are consistent with the feminism discourse. Then, the study was divided into four dimensions in terms of their life and poets namely a feminist approach to life; love and romance, numerous views of a woman, symbolism, and social challenges. This study aims at investigating female poetry discourse in two Iranian and Palestinian poets, more specifically, its relations between men, society, and social customs. The present study shows that these two poets were not influenced by the world in which they live but were honest and showed their self realities through adapting similes and metaphors from feminist approach. It also shows that they were pioneers of feminist poem movement. They used their artistic skill to support the women’s right. These poets’ challenges include violating customs and traditions, red lines, using symbolism, and expressing their pains and sorrows in this way. The traces of rejecting customs and relations are visible in their poems. Although they were not influenced by each other, we found some similarities between them through comparing their life conditions. Analytic and descriptive research design was used to compare, contrast, and analyze a variety of poems which are consistent with the feminism discourse. Then, the study was divided into four dimensions in terms of their life and poets namely a feminist approach to life; love and romance, numerous views of a woman, symbolism, and social challenges.

University of Tehran Quarterly of Arabic Language and Literature 1735-9767 9 4 2014 01 01 Hijazi innovation in contemporary poetry Hijazi innovation in contemporary poetry 31 53 50526 10.22059/jal-lq.2014.50526 AR Gholam Abbas Rezaie Associate Professor of Tehran University Sharafat Karimi Assistant Professor of kordistan University Journal Article 2014 02 02 Literature; especially poetry hejazi area since the lae twenteth century in terms of concept and structre has evolved and grown . legacy of ancient Arabic poetry and poetry changes in Arabic countries ;including the factors in this process is cosidered. Hejazi two poems in the region and the new classic style and be written in Arabic poetry compared to other countries in west and significant direet impact on the convention did not. But generally the area of poetry in regional and global developmentes in the lieterary fan has been influenced by the content of the message format and structure of venice poem was change and simplified concepts ; and related Mamvs everyday lif as wall as Ghanain rhythms and flowing among the poets and their poety was introduced Morsel and Hour ,poetic stories,password and authorized,Myth and symbol of unity and turnedode sturcture,weight,rhymes and poems for format change in content and structure was changed. The typical changes in poetry poets like Alzmkhshry Taher,Mohammad Hassan Alvad,Alqvshy Hussein Abduilah,Omar and Hussein srhan Alty Alsasry found . Literature; especially poetry hejazi area since the lae twenteth century in terms of concept and structre has evolved and grown . legacy of ancient Arabic poetry and poetry changes in Arabic countries ;including the factors in this process is cosidered. Hejazi two poems in the region and the new classic style and be written in Arabic poetry compared to other countries in west and significant direet impact on the convention did not. But generally the area of poetry in regional and global developmentes in the lieterary fan has been influenced by the content of the message format and structure of venice poem was change and simplified concepts ; and related Mamvs everyday lif as wall as Ghanain rhythms and flowing among the poets and their poety was introduced Morsel and Hour ,poetic stories,password and authorized,Myth and symbol of unity and turnedode sturcture,weight,rhymes and poems for format change in content and structure was changed. The typical changes in poetry poets like Alzmkhshry Taher,Mohammad Hassan Alvad,Alqvshy Hussein Abduilah,Omar and Hussein srhan Alty Alsasry found .

University of Tehran Quarterly of Arabic Language and Literature 1735-9767 9 4 2014 01 01 critical thinking of Imam Ali ben Abi Taleb critical thinking of Imam Ali ben Abi Taleb 55 73 50527 10.22059/jal-lq.2014.50527 AR Syed Hosein Seyyedi The professor of Arabic Ferdosi university of mashhad Ahmad Khanifizadeh PhD student of Arabic literature and Language of Ferdosi university of mashhad Journal Article 2014 04 19 This article is discussed literary criticism of Imam Ali and mentioned that although he was a great critic, this aspect of his life has not been fully appreciated yet. He made use of different literary school in his criticism which was centuries ahead of his time. Since, many Arab literary experts who have formulated the modern criticism have been influenced by him. This article is talked about ten literary schools used in Imam Ali's criticism and showed the meticulousness by which he presented his literary thoughts. Imam enplaned in a concise manner those theories of literature and literary criticism which proved too much for the literary thinkers of the day. Though he was not fully appreciated in his lifetime, The modern literature dependant on such concepts as he advocated and which were not understood in his day. This article is discussed literary criticism of Imam Ali and mentioned that although he was a great critic, this aspect of his life has not been fully appreciated yet. He made use of different literary school in his criticism which was centuries ahead of his time. Since, many Arab literary experts who have formulated the modern criticism have been influenced by him. This article is talked about ten literary schools used in Imam Ali's criticism and showed the meticulousness by which he presented his literary thoughts. Imam enplaned in a concise manner those theories of literature and literary criticism which proved too much for the literary thinkers of the day. Though he was not fully appreciated in his lifetime, The modern literature dependant on such concepts as he advocated and which were not understood in his day.

University of Tehran Quarterly of Arabic Language and Literature 1735-9767 9 4 2014 01 01 An Analysis of Theatrical Art in Arab Literature, Ancient and Modern An Analysis of Theatrical Art in Arab Literature, Ancient and Modern 75 97 50528 10.22059/jal-lq.2014.50528 AR Abdol Ahad Gheibi Assistant Professor, Tarbiat Moallem University, Eastern Azerbaijan 0000-0002-6988-9640 Amer Moghaddam Mottagi Assistant Professor, Tarbiat Moallem University, Eastern Azerbaijan Journal Article 2014 04 19 There are two theories for the presence and absence of theatre and drama in classical Arabic literature. The former theory which believes in the presence of theatre in classical Arabic literature assumes that the Arabs knew various types of recreation and entertainment in the past eras. Its proponents provide various reasons for proving their claims, such as the existence of a market, the existence of the condolence ceremonies, and the existence of some folklore skills like puppetry, etc Conversely, the latter theory whose proponents deny the presence of drama with its known elements in classical literature expresses reasons, such as nomadic life with Arab journies, the non-cooperation of women in the plays, and in the correct translation of Greek works on the subject of drama, etc. …, for proving their claims. These critics believe that drama is the result of the new Movement. The plays that have been written in the modern era follow a two-way trend – the national and the patriotrical. These play wrights have treated subjects such as history, society, the Palestian Issue, and the Arab liberation Revolutions in the light of these trends. There are two theories for the presence and absence of theatre and drama in classical Arabic literature. The former theory which believes in the presence of theatre in classical Arabic literature assumes that the Arabs knew various types of recreation and entertainment in the past eras. Its proponents provide various reasons for proving their claims, such as the existence of a market, the existence of the condolence ceremonies, and the existence of some folklore skills like puppetry, etc Conversely, the latter theory whose proponents deny the presence of drama with its known elements in classical literature expresses reasons, such as nomadic life with Arab journies, the non-cooperation of women in the plays, and in the correct translation of Greek works on the subject of drama, etc. …, for proving their claims. These critics believe that drama is the result of the new Movement. The plays that have been written in the modern era follow a two-way trend – the national and the patriotrical. These play wrights have treated subjects such as history, society, the Palestian Issue, and the Arab liberation Revolutions in the light of these trends.

University of Tehran Quarterly of Arabic Language and Literature 1735-9767 9 4 2014 01 01 properties of Jerusalem and Palestine properties of Jerusalem and Palestine 99 115 50529 10.22059/jal-lq.2014.50529 AR Jehad Feizoleslam Assistant Professor; Pardis Farabi College; University of Tehran Journal Article 2014 02 26 Abstract This research brief us on the arts of poetry and the properties of Jerusalem and Palestine, and talk about the lyrical, dramatic and narrative poetry, epic poetry and the salient features of the hair such as the Palestinian rhetoric, direct, the spirit of faith, resistance, should comply with, the study added Lhasa has Almzmorp things literary Contemporary especially after the probe results and النکسة and the intifada and ذلک the vision of the most prominent poets poets caught in the occupied territories and the highest of Jerusalem and Jerusalem on the impact of their hair. The توصیلت produced few concrete results to the School ذکرتها another important story. Key character-ye:Poetry -Attributes properties - epic drama- simplicity Abstract This research brief us on the arts of poetry and the properties of Jerusalem and Palestine, and talk about the lyrical, dramatic and narrative poetry, epic poetry and the salient features of the hair such as the Palestinian rhetoric, direct, the spirit of faith, resistance, should comply with, the study added Lhasa has Almzmorp things literary Contemporary especially after the probe results and النکسة and the intifada and ذلک the vision of the most prominent poets poets caught in the occupied territories and the highest of Jerusalem and Jerusalem on the impact of their hair. The توصیلت produced few concrete results to the School ذکرتها another important story. Key character-ye:Poetry -Attributes properties - epic drama- simplicity

University of Tehran Quarterly of Arabic Language and Literature 1735-9767 9 4 2014 01 01 Strike out Alawi’s poems of poetical works’ Hassan ibn Sabbet Strike out Alawi’s poems of poetical works’ Hassan ibn Sabbet 117 143 50530 10.22059/jal-lq.2014.50530 AR Seyyd Morteza Hosseini Islamic Azad University (Birjand Branch) Assistant Professor Abbas Ganjali Hakim Sabzevari University Assistant Professor Journal Article 2013 11 25 Hassan ibn Sabbet was the first poet of holly prophet (p) that who difference Islam and Muslims with his poems. He was a pagan at first then he became Muslims. Hassan has so many praises a bout Ali ibn Abi Talib that he composes in presence of Holly prophet Muhammad (p) and must of Muhammads’ compainions, in different occasions. Unfortunatly those praises poetry are listed in different essay’s and biography books. In this paper the author tries to pay attention to the subject of removing and forging in Hassan’s poetry and more overs collect the poems that Hassan composes for Ali (AS). Hassan ibn Sabbet was the first poet of holly prophet (p) that who difference Islam and Muslims with his poems. He was a pagan at first then he became Muslims. Hassan has so many praises a bout Ali ibn Abi Talib that he composes in presence of Holly prophet Muhammad (p) and must of Muhammads’ compainions, in different occasions. Unfortunatly those praises poetry are listed in different essay’s and biography books. In this paper the author tries to pay attention to the subject of removing and forging in Hassan’s poetry and more overs collect the poems that Hassan composes for Ali (AS).

University of Tehran Quarterly of Arabic Language and Literature 1735-9767 9 4 2014 01 01 the Consept of eloquence And Its Types Frome Jahiz Point Of View In The Book Albayan va Altabeen the Consept of eloquence And Its Types Frome Jahiz Point Of View In The Book Albayan va Altabeen 145 163 50531 10.22059/jal-lq.2014.50531 AR Ali Ganjyian Khenari Associate Professor,Allameh University Fereshteh Farzi Shoob Guest Teacher , Golestan University Journal Article 2014 04 09 In the book Albayan va Altabeen, Jahiz declares the Consept of eloquence in detail and studies it in relation to oratory, statement and rhetoric. He classifies eloquence into the eloquence of speaker, word, letter and speech, and supposes some criteria, till now, are in use to recognize eloquent from non-eloquent which nobody has pointed to. This article aims to study the eloquence criteria from Jahiz’ viewpoint, extracted and rounded up in a book. He concerns the issue whether these criteria are limited to qualities pertaining to speaker, word and language or are affected by other factors neglected from critics’ views? In the book Albayan va Altabeen, Jahiz declares the Consept of eloquence in detail and studies it in relation to oratory, statement and rhetoric. He classifies eloquence into the eloquence of speaker, word, letter and speech, and supposes some criteria, till now, are in use to recognize eloquent from non-eloquent which nobody has pointed to. This article aims to study the eloquence criteria from Jahiz’ viewpoint, extracted and rounded up in a book. He concerns the issue whether these criteria are limited to qualities pertaining to speaker, word and language or are affected by other factors neglected from critics’ views?

University of Tehran Quarterly of Arabic Language and Literature 1735-9767 9 4 2014 01 01 Koranic Intertextuality in poem Jamil Sedky ALZehavy Koranic Intertextuality in poem Jamil Sedky ALZehavy 165 191 50532 10.22059/jal-lq.2014.50532 AR Ali Akabar Mohseni Assistant Professor, Razi university, Kermanshah Abdoalsaheb Tahmasbi MA student in Literature Journal Article 2014 01 01 Koranic Intertextuality phenamena promoted to a high situation in contemporary Arabic poem and decoraced it and contemporary arab poets including Iraqi ones specially Zehavy accepted it. and expressed Important Note about The importance of this subject and finding Framework for its To avoid of Personal taste. Then Was presented Negative samples of koranic Intertextuality that May be abused. Then Mentioned Types of Intertextuality by Inspired of the Words and meanings and Quranic words Such as refusing (Total and partial) and Parallel refusing. The main point is that developmental and interesting using this phenamena is the fign of the Quran in fluence and culture in his mind and poems. Type of parallel and The type of spatial have Less error and type of refusing (Total and partial) the have Positive aspects. While women Subject Has outlined Negative aspects of of this discussion that Also has positive aspects. Koranic Intertextuality phenamena promoted to a high situation in contemporary Arabic poem and decoraced it and contemporary arab poets including Iraqi ones specially Zehavy accepted it. and expressed Important Note about The importance of this subject and finding Framework for its To avoid of Personal taste. Then Was presented Negative samples of koranic Intertextuality that May be abused. Then Mentioned Types of Intertextuality by Inspired of the Words and meanings and Quranic words Such as refusing (Total and partial) and Parallel refusing. The main point is that developmental and interesting using this phenamena is the fign of the Quran in fluence and culture in his mind and poems. Type of parallel and The type of spatial have Less error and type of refusing (Total and partial) the have Positive aspects. While women Subject Has outlined Negative aspects of of this discussion that Also has positive aspects.