Present survey deals with most important element of Talaly introductions in pre-Islamic elegies as a common phenomenon among the poets of this period, and pays attention to its mystical and internal interpretations. Then proceeds on artistic study of Hesan b.Thabet’s Talaly introductions, in his six elegies which have been composed before the advent of Islam. It, at the same time, deals with manifestations of development found in these introductions. And marks those elements and categories which have been forgotten or preserved in these elegies and briefly marks new elements in these introductions.
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