A stylistic reading of Maad Al.jabury poetry: a poem of lightning as a model

Document Type : Research Paper

Authors

1 PhD in Arabic Language and Literature, University of Tehran

2 Assistant Professor of Arabic Language and Literature, Farhangian University, Tehran

Abstract

Stylistic method is one of the most critical modern approaches to the study of texts, especially poetic texts and it has received a lot of attention form researchers because of its significant contribution to the understanding of the text after exceeding the apparent dimension of the text and delve into the meanings and semantics that emerge from verbal forms and semantic units.Maad Al-Jubouri is a prominent poet on the map of contemporary Arabic poetry and his poetry is characterized by a critical vision of the reality of life.It is only right to say that it is one of the most prominents who influenced the Arabic poetic library with revolutionary poems that reveal the great poetic awareness, the sensation, the eloquence of vision and the strong affiliation to reality.The focus here is on the study of al-Buraq's poem al-Jubouri and the research in the study of the lightning poem is based on the methodology and is carried out in two axes:the first axis is related to the study of the text and the attempt to explain the text and the manifestation of meanings and semantics in the intellectual, semantic and literary levels and the second axis is a study of the formal forms of the poem.The results indicate that Al-Barq's poem is alive, moving and embodies the poet's adherence to life and refusal of death and surrender.It also expresses the rejectionist attitude of the poet towards the foreign presence in Mesopotamia; also includes the poet's rejection of the Arab countries' unstable position considering Palestine and Iraq.And the poem in its introduction of these meanings lean on the language of the symbol symbols not to mention the enjoyment of the poem of metaphor and the various types of images of displacement and out of the ordinary, and used the poet satiric stinging of the Arab rulers who collude with enemies.On the other hand, came verbal forms according to the meanings that the poet tries to broadcast in the psyche of the recipient and to let them comprehend the atmosphere of the poem which is not created by chance.

Keywords

References

Ibrahim Magdi and Ibrahim Mohamed (2006 A.D.) In Arabic Voices, 2st., Cairo: The Egyptian Renaissance Library. (in Arabic).
Esmail, Ezz El-Din (1987 AD). Contemporary Arabic Poetry: its artistic and moral issues phenomena, Beirut: Dar Al-Fikr. (in Arabic)
Al-Bustani, Bushra (2012 AD), Unity of Creativity and Dialogue of Arts, 1st, Amman Dar Fazaat. (in Arabic)
Al-Jabouri, prepared (2012). The Complete Poetry Works, Amman: Dar Fazaat. (in Arabic)
Hassan, Tamam, (1979 AD), Research Methods in the Arabic Language, Beirut: Dar Al Thaqafi and Dar Al-Baidha. (in Arabic)
Al-Khalil, Samir, (2012). Presence and Absence Relationships in the Poetics of the Literary Text, 1st Edition, Beirut: Dar Al Tamouz. (in Arabic)
Al-Tayyib, Abdullah (1989 AD). The Guide to Understanding the Poetry and Industry of the Arabs, 2nd, Kuwait, Arabic Books Publishing. (in Arabic)
Ayashi, Munther (2012), Stylistic and Discourse Analysis, 1st, Beirut: Center for Cultural Development. (in Arabic)
Faten Ghanem, Fathy (2016). The Intersection of Arts in Bushra Al-Bustani's Poetry, Amman: Dar Fazaat.
Al-Masdi, Abd Al-Salam (1982 AD), Stylistics and Style, 2nd Edition, Tunisia: The Arab House for the Book. (in Arabic)
Academic dissertations
.Badideh, Rashid (2011). Stylistic foundations in the elegy of Belqis by Nizar Qabbani, from the master's students in the public councils, Batna university. (in Arabic)
Hanin Naji (2016 AD), Paradox and Poetic Styles in the Divan of a Man of Dust by Ashour Fani, Algeria, a letter presented to the master's degree.
Articles
Rababa'a, Musa (2006 AD), “Repetition in Pre-Islamic Poetry, A Stylistic Study”, Mu'tah Journal for Research and Studies, Volume 5, Issue 1, p.160.
Rustum Pour, Rugayyah and the others (1395 A.H.). Manifestations of irony in the poem "Whom shall we sing ?!" By Ahmed Abdel-Mo'ti Hijazi, Illuminations Critical, pp. 42-65. (in Arabic)
Neve Ayooki, Ali and the Others (2016 A.D.), The Stylistic Constituents of Sarhan's Poem Does Not Receive the Keys of Jerusalem, Journal of Studies in Arabic Language and Literature, Year 24, Issue 24, pp. 135-160.
Nazari Monazem, Hadi, Hadi, Rahimi, and Thuraya (1440 AH). The aesthetic of stylistic features in The City of Balamater by Badr Shaker Al-Sayyab, Journal of Research in the Arabic Language, Issue 19, pp. 49-67. (in Arabic)
Quarterly of Arabic Language and Literature
Volume 17, Issue 2
July 2021
Pages 201-224

Files

Share

How to cite

Statistics