Shuffle in the poetry of Haider Mahmoud

Document Type : Research Paper

Authors

1 Associate Professor, Department of Arabic,Azerbaijan Shahid Madani University , Tabriz, Iran

2 Assistant Professor, Department of Arabic Language and Literature, Academy of Humanities and Cultural Studies, Tehran, Iran

Abstract

The colors and colors of things are the sensory manifestations that cause tension in the nerves and the movement of emotions. They are sensual stimuli whose effect varies in people. But it is known that the poet – as a child – loves these colors and shapes, and loves to play them, but it is not just play, but a game that requires the need to discover the image first, and then stimulate the reader or the receiver. Hair then grows and grows in the arms of colors, whether seen or imagined in mind. It is for the reader a way to evoke these shapes and colors in a special format and in a certain indication. If we refer to the signs of color in Arabic, we recall that it is deeply rooted, and keep abreast of Arab life with all its heritage and rituals. This is an art expressed by the ancient artists and the importance of research in enriching the library rhetorical, deepening the study of this primitive art, and shed light on what reached in the poetry of Mahmoud Mahmoud. The results show that the main semantic production in Haider's experiment was five colors: black, red, green, white, and Asmar. This research was based on the descriptive analysis method, in order to answer this question: What is the role of the stigmatization phenomenon in Haydar Mahmoud's poetry?

Keywords

References

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Quarterly of Arabic Language and Literature
Volume 16, Issue 3
August 2020
Pages 413-437

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