The language of voice-silence in the poems of Adnan Al-Sayegh (For example:Taabbata manfa)

Document Type : Research Paper

Authors

1 Professor, Department of Arabic Language and Literature, Azerbaijan Shahid Madani University, Azerbaijan, Iran.

2 PhD Student, Department of Arabic Language and Literature, Azerbaijan Shahid Madani University, Azerbaijan, Iran

Abstract

AlSosamtiyeh is a word which is derived from the two words, sound and silence. As a third language, this phenomenon includes all the technical methods available in both phonetic and silent languages. Sosmatiyeh focused more on revealing the unspoken and the hidden parts of it, in order to lead it to the world of utterances through the tunnel of poetic larynx, and in the way it intends. And as a sound has a place in the external world, silence, without disturbing the beauty of language, shakes the strings of sound and shakes its inner peace, so that takes the world of silence and fullness out of the inner cry into the world of embodiment. The purpose of silence is to express the unspoken feelings of a writer. To transmit it to the real world with the help of language skills and freedom of expressions, without being hindered by the obstacles of the outside world, and by considering the technical forms of prose in this field. The conjugated language used various techniques provided by the prose ode, the results of which lead entirely to the tragic conditions in which the poet lived. The current study considered the Divan of "Taabbata Manfa" from the prose ode leader Adnan Al-Sayegh and examined it with two analytical-descriptive methods, in which the beauties of the alliance of the two languages of the spoken and the unspoken are revealed.  With respect to the wideness of the results of the created language and the verities methods there, it puts out of the usual stylistic, such that it even included the idiomatic aspects of the interpretation of the poems, which are the apparent art of the ode forms.  Furthermore, the visual methods, geometric shapes and writing symbols play a significant role in the poems of this court. It not only restricted to the sound and visual aspects of the sentences, but also with this method it created a larynx with several spoken languages in order to accompany the sound in silence and revealed the unwritten one in the poems.

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